DEFA FILM LIBRARY UMASS AMHERST

By using this site, you agree to the Terms of Use and Privacy Policy. Amherst, Massachusetts , U. His life was truly adventurous. I feel privileged to have had the opportunity to work with these films that were made by so many outstanding film artists. I have to say, there is one director I wished I had met: How did these artists deal with these extreme changes, on a personal level? We also try to set trends and open new fields for research about GDR film history in the context of and in relation to international film history. After the fall of the Berlin Wall on November 9, , and German Reunification the following year, it was not clear what would happen to the over 7, DEFA films that had been made between and , as the film rights had belonged to the now-defunct former GDR.

The DEFA Film Library supports an international network of scholars with a range of regular programming that has helped shape national and international research agendas on East German cinema. For the list of curated film series, please see below. Film historians and scholars: Retrieved from ” https: July Learn how and when to remove this template message. Or maybe they remember the live-action Pinocchio film series that Ron Merk produced. Barton was able to bring a print to the U.

It is very interesting to see how DEFA built on filmmaking during the Weimar era as well as the Nazi period—at least in the first years after the war and before a new generation of film artists arrived at their studios. When I shared these ideas with you, I knew that you would and could help support and present a program like this.

I would like for people to understand that East German films did not linger behind the Wall and were not only shown in the GDR. Walter Beck, in the U. In terms of the series, I recall that you and I met on a cold and rainy day umss your Goethe-Institut ujass in the spring of and when I talked about the East Ffilm film collection at the DEFA Film Library and possible projects, I could feel your sincere interest and your excitement.

But they are all objects for research and discussion. Even a hardcore East German propaganda film can unveil very interesting historical aspects. The film had had its East German premiere a year earlier.

The Cinema of East Germany. Skyler Arndt-Briggs and PhD candidate Victoria Rizo Lenshyn, who are planning this institute, have discovered films that were never shown outside East Germany and are working on interesting workshops on GDR propaganda, espionage, and mass entertainment that will hopefully be the beginning of new research ideas.

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By the very nature of amberst work and the time in which they were working, DEFA directors live or lived interesting lives. Our own Irmi Maunu-Kocian sat down to pick her brain. So, to answer your question: Barton was amheerst to bring a print to the U. In order to fulfill its dual mission—to make DEFA films available and better known, and to uamss understanding of filmmaking in the GDR by interdisciplinary critical scholarship—the DEFA Film Library undertakes a range of scholarly and support activities.

Helke, who was accompanied by Thomas Plenert, her cinematographer, and her editor, Gudrun Plenert, also presented the film in New England It took until for the contracts to be signed and for partners in Filn to commit to the legal creation of the DEFA Film Library.

Views Read Edit View history. This is a very difficult question. Kuhle Wampe or Who Owns the World? I feel privileged to have had the opportunity drfa work with these films that were made by so many outstanding film artists. Artists who worked in film production during the Umasx period suddenly found themselves working on productions ib a very different social, political, and ideological system.

It still makes me happy that I met director Frank Beyer twice—inwhen he was our artist-in-residence and when he came to our MoMA event in I’ve been working with East German defw since Retrieved from ” https: Each single film is a document of its time and reflects the political climate in the country as well as artistic ideas that were in the air at that time.

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DEFA Film Library – Wikipedia

The non-profit organization houses an extensive collection of 35mm and 16mm prints, umaws, DVDs, books, periodicals and librarry. That’s when I moved to the United States. Articles lacking in-text citations from July All articles lacking in-text citations Pages using deprecated image syntax. Currently, we are working on six new DVD releases and I’m excited about every one of them.

Its DVD line strives to complement films with high-quality bonus features and materials for educators. Ten films on art, jazz, and Berlin.

Interview mit Hiltrud Schulz – DEFA Film Library: Goethe-Institut USA

He was interested in clearing the rights for 35mm and 16mm DEFA prints, which he had acquired from the shuttered East German embassy in New York, and discussing the possibility of distributing East German films in North America. From the Ice Age to the Thaw [, premiere at the Northampton International Film Festival] The city of Berlin has had a history unlike any other that is told by 16 films produced in both parts of Germany.

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Incidentally, the film had its U. For the list of curated film series, please see below. When you look at the DEFA productions throughout the years, is there one film that evokes an especially strong response in you, be it favorable or not?

Films from Behind the Wall.

DEFA Film Library

Amherst, MassachusettsU. His life was truly adventurous. In my last years there, I was responsible for world sales and curated and organized film series in Europe, Latin America, umaws Middle East, and elsewhere. Please help to improve this article by introducing more precise citations. How did these artists deal with these extreme changes, on umasd personal level?

Or maybe they remember the live-action Pinocchio film series that Ron Merk produced. Why not show a program with GDR films that won major international awards before or films that were submitted to the Oscars?

Whenever possible, I really try to emphasize that these films had an international audience during the Cold War, albeit limited. In the amerst vein, I am fascinated by the little anecdotes or stories I come across from behind the scenes.

I have to say, there is one director I wished I had met: This film had not been shown in cinemas for many, many years because of a situation surrounding the rights to the music. Go directly to content Alt 1 Go directly to second-level navigation Alt 3 Go directly to first-level navigation Alt 2.

This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations.

In the end, we decided to create a special Chicago film program, a selection of films that had never been shown in this combination before. The international aspect of the DEFA films is particularly important to you, is it not? Suggested thematic groupings for film series, classes and research on a range of topics.