LAND ART FILM GERRY SCHUM

Remember me on this computer. This final Fernsehgalerie production exhibited what Schum asserted as the new mode of art experience: Cologne was educated in television and film production at the Deutches Institut fer und Fersehen in Munich, and at Fernsehakademie from In the TV object the artist can reduce his object to the attitude, to the mere gesture, as a reference to his conception. Membership helps to support our programs and services, including our online resources, educational outreach, and vital preservation activities. Robyn Farrell is a Chicago-based writer and curator whose work explores the intersection of contemporary art, technology, and time-based media, and early European video collectives c. He began work as a cameraman and filmmaker for television broadcast stations in Berlin around , completing a series of documentary collaborations for television broadcast:

Enter the email address you signed up with and we’ll email you a reset link. Membership helps to support our programs and services, including our online resources, educational outreach, and vital preservation activities. For more information, and to become a member, please visit: From to , Gerry Schum broadcasted original artist films through German public television. For more information, visit www. Courtesy Groninger Museum, Groningen, Netherlands. Robyn Farrell is a Chicago-based writer and curator whose work explores the intersection of contemporary art, technology, and time-based media, and early European video collectives c.

Enter the email address you ary up with and we’ll email you a reset link. He began work as a cameraman and filmmaker for television broadcast stations in Berlin aroundcompleting a series of documentary collaborations for television broadcast: In Schum was commissioned to present video art sections at Document 5 and the Venice Biennale. And then when I went to Chicago, svhum when I had these outer space experiences and went to the other planets.

This radical model bypassed traditional institutions with the direct dispersal of artwork into the domestic space. Courtesy Groninger Museum, Groningen, Netherlands.

The Graham Foundation and the Goethe-Institut Chicago are pleased to present a rare screening of films by German filmmaker and television art pioneer Gerry Schum.

GERRY SCHUM: TV GALLERY AT EAI

In Schum was commissioned to present video art sections at Document 5 and the Venice Biennale. Without affiliation or traditional representation, this stable of artists existed only through the system by which it was produced, enacting a network for creative collaboration and open communication. Widely recognized in German circles as the first critical exploration into the multiplication and authorship of contemporary art production, Konsumkunst – Kunstkonsum, observes fundamental issues of serial multiplication and mass commodification of the art object in Europe and the United States.

  WATCH BROTHERLY LOVE SOLARMOVIE

Skip to main content. Her academic interests include the intersection of contemporary art, technology, and time-based media, and early European video collectives circa This final Fernsehgalerie production exhibited what Schum asserted as the new mode of art experience: The screenings will be introduced by curator Robyn Farrell.

In the TV object the artist can reduce his object to the attitude, to the mere gesture, as a reference to his conception. Robyn Farrell is a writer and curator based in Chicago. Log Flm Sign Up. Before his death in Schum accepted the position of curator for the first video art studio at Folkwang Museum in Essen, Germany.

This radical model bypassed traditional institutions with the direct dispersal of artwork into the domestic space. By becoming a Friend of EAI, you support the future of media art and artists. In the TV object the artist can reduce his object to the attitude, to the mere gesture, as a reference to his conception. Global in reach, the Goethe-Institut aims to promote knowledge of the German language abroad, foster international cultural cooperation, and convey a comprehensive picture of Germany by providing information on Germany’s cultural, social and political life.

This radical model bypassed traditional institutions with the direct dispersal of artwork into the domestic space. These seven artists utilized water and land as art medium. Schum is now recognized as coining the term “Land Art” with this broadcast.

Cologne was educated in television and film production at the Deutches Institut fer und Fersehen in Munich, and at Fernsehakademie from The screenings will be introduced by program curator Robyn Farrell.

  GRIMM S04E15 SUBTITLES

Like many working in the arts during this period, Schum—a documentary filmmaker for West German broadcast television—saw the traditional hierarchies of painting and sculpture as outdated, and the institutions in which they circulated as an inaccessible system. The Funambulist Four Years Later: EAI’s core program is the distribution and preservation of a major collection of over 3, new and historical media works by artists.

He began work as a cameraman and filmmaker for television broadcast stations in Berlin aroundcompleting a series of documentary collaborations for television broadcast: Their contributions, which ran from thirty-five seconds to five minutes, revealed an artistic concern with designed action, including physical interactions with the camera.

International in scope, Fernsehgalerie enlisted artists without formal work in film or video to conceive artwork intended for viewing on TV. EAI’s activities include viewing access, educational services, extensive online resources, and public programs such as artists’ talks, exhibitions and panels.

The Films of Gerry Schum | Robyn Farrell –

For more information, visit www. The Online Catalogue is a comprehensive resource on the artists and works in the EAI collection, and also features extensive materials on exhibiting, collecting and preserving media art: The format produced a new framework to present and perceive time and space on TV. The camera functioned as witness to earth-driven art installations, capturing and dispersing artistic process outside the typical studio environment. He began work as a cameraman and ar for television broadcast stations in Berlin aroundlandd a series of documentary collaborations for television broadcast: The first occasion to screen all four works together in Chicago, the event sheds light on this srt collaboration between European and American artists between Membership helps to support our programs and services, including our online resources, educational outreach, and vital preservation activities.